This certifies that

Four-channel generative composition and installation controlled by MAX MSP and to accompany exhibition by Yelena Popova, Nottingham Contemporary, 2016.

A disintegrating Internationale, operatic indignation, cash, printers, some kind of narrator and computer generated voices journey together through boom and bust cycles, triggered by the unreliable computer that performs this meditation on currency on the eve of the Brexit vote (gallery recording).